{"id":1248,"date":"2010-05-24T15:24:38","date_gmt":"2010-05-24T19:24:38","guid":{"rendered":"http:\/\/www.soniamoura.com.br\/?p=1248"},"modified":"2010-05-24T17:22:30","modified_gmt":"2010-05-24T21:22:30","slug":"curvas-na-seara-de-vento-%e2%80%93-ii-exemplificando","status":"publish","type":"post","link":"http:\/\/www.soniamoura.com.br\/?p=1248","title":{"rendered":"CURVAS NA SEARA DE VENTO \u2013 II (Exemplificando…)"},"content":{"rendered":"

\u00a0\"CURVAS<\/a><\/p>\n

CURVAS NA SEARA DE VENTO \u2013 II (Exemplificando…)<\/span><\/strong><\/p>\n

\u00a0<\/strong>(UFF \u2013 Semin\u00e1rio \u2013 2008)<\/strong><\/p>\n

A t\u00edtulo de exemplifica\u00e7\u00e3o, selecionamos passagens da obra de Manuel da Fonseca \u2013 Seara de Vento- nas quais o verbo curvar-se e outros voc\u00e1bulos com significa\u00e7\u00f5es aproximadas ao verbo curvar-se, destacam-se, dando respaldo a nossas coloca\u00e7\u00f5es no texto do mesmo t\u00edtulo, publicado em 18\/05\/2010, neste blog.<\/h1>\n

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\u00a0<\/span><\/strong><\/p>\n

*CURVAR-(SE<\/strong>) \u2013 ABAIXAR, ABATER, AGACHAR, AJOELHAR, ARQUEAR, DOBRAR, EMPENADO, ENCOLHER, ENCURVAR, FLECTIR FLEXIONAR, HUMILHAR, INCLINAR, PENDER, PROSTAR, ROJAR, SUBMETER, VERGAR (*-SE)<\/p>\n

\u00a0<\/strong><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>J\u00falia<\/span><\/strong>\u00a0 <\/span><\/span><\/em>encolhida<\/span><\/u><\/strong> e receosa, como se acabasse de ouvir uma blasf\u00e9mia. (medo\/m\u00e3e)\u00a0 <\/span>11<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>A curva<\/u><\/strong> das costas de J\u00falia, <\/strong>muito magras, aumenta mais o seu ar de desalento. Triste e fraca, parece vergada<\/u><\/strong> ao peso da culpa ou de um remorso. 12\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Amanda Carrusca<\/span><\/strong> encolhe-se <\/u><\/strong>, de face sumida no bioco do len\u00e7o. 14<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>O tom de amea\u00e7a confrange as mulheres.<\/strong> Curvam-se <\/u><\/strong>mais ainda,… 15\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>De m\u00e3o no ar, cresce sobre J\u00falia<\/strong> que se dobra<\/u><\/strong> desamparada.\u00a0 <\/span>17<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Meio zambro, esquel\u00e9tico, o queixo encostado ao peito<\/u><\/strong>, (Joaquim Valmurado) <\/strong>erra pelo terreiro… 19<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Todo arqueado <\/u>(Joaquim)<\/strong>, estende os bra\u00e7os para as ru\u00ednas do forno.\u00a0 <\/span>20<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Prostrado<\/span><\/u><\/strong> (Joaquim)<\/span><\/strong>, queda-se a cogitar diante dos pedregulhos. 20<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Amanda)<\/span><\/strong> ao descer do banco, meio curvada<\/u><\/strong>, olha intencionalmente… 25\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(J\u00falia) Ajoelha-se<\/u><\/span><\/strong> e ensopa a ponta do len\u00e7o. 28<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Bento)<\/span><\/strong> Entontecido, curva-se <\/u><\/strong>para o umbigo. 32\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Bento) <\/span><\/strong>…a cabe\u00e7a pende-lhe <\/u><\/strong>para o umbigo. 33<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Todo curvado<\/u><\/strong> debaixo do alforge, Jo\u00e3o Carrusca…<\/strong> 35\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>… o corpo afrouxa, verga. <\/u>(Jo\u00e3o)<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>A velha <\/span><\/strong>baixa as p\u00e1lpebras, curva-se.<\/u><\/strong>\u00a0 <\/span>41\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Amanda)<\/span><\/strong> Toda dobrada,<\/u><\/strong> apara as arremetidas do Bento… 42<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Amanda) Encolhe<\/u><\/span><\/strong> a cabe\u00e7a entre os ombros agu\u00e7ados.\u00a0 <\/span>45<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(J\u00falia)<\/span><\/strong> Frouxa, de ombros desca\u00eddos<\/u><\/strong>, senta-se \u00e0 lareira.\u00a0 <\/span>52<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Palma) Meio curvado<\/u><\/span><\/strong>, desanda pelo mato dentro.\u00a0 <\/span>54\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>\u00a0<\/span>O pastor <\/span><\/strong>det\u00e9m-se todo curvado<\/u><\/strong>, numa amea\u00e7a.\u00a0\u00a0 <\/span>55\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Palma… <\/span><\/strong>apanha o chap\u00e9u e atravessa a clareira, meio curvado<\/u><\/strong>\u00a0\u00a0 <\/span>57\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>J\u00falia curva-se <\/u><\/span><\/strong>sobre a tigela fumegante\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>63\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>\u00a0<\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Palma)<\/span><\/strong> De peito arqueado<\/u><\/strong>, ajeita as cal\u00e7as\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>64<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>……dobra-lhe <\/u><\/span><\/strong>a aba do chap\u00e9u\u00a0 <\/span><\/span><\/em>77<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>\u00a0<\/span>Tombada<\/span><\/u><\/strong> para a nuca, a larga aba<\/em> \u00a0<\/span>negra do chap\u00e9u<\/em>…. 78<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Curvados <\/span><\/u><\/strong>sob as cargas, os homens<\/strong> emergem do ch\u00e3o negro…. 87\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>J\u00falia e Amanda Carrusca curvam-se.<\/u>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/strong>122\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Palma) <\/span><\/strong>Atirado de joelhos contra o ch\u00e3o, dobra-se todo <\/u><\/strong>…\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>147<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Uma dor fina dobra<\/u> <\/strong>o corpo de J\u00falia<\/strong>…\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>166<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Palma) <\/span><\/strong>Enfadado, encolhe<\/u><\/strong> os ombros.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>175<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(J\u00falia) De joelhos, tombada<\/u><\/span><\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>\u00a0<\/span>177<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Mas Diogo<\/strong>, sempre curvado<\/u><\/strong>…\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>187\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>\u00a0\u00a0\u00a0\u00a0<\/span>Homens <\/strong>trazem o caix\u00e3o….De cabe\u00e7as vergadas.<\/u><\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>190<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Palma <\/span><\/strong>recua…..ao curvar-se<\/u><\/strong>…\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>196\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Palma) Curvado<\/u><\/span><\/strong>, espia por cima dos arbustos.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>203\u00a0\u00a0\u00a0\u00a0 <\/span>\u00a0\u00a0\u00a0\u00a0<\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>De boca escancarada, joelhos dobrados<\/u>, Elias sobral…<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>204 <\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Transida, Lina abaixa <\/u><\/strong>\u00a0<\/span>a cabe\u00e7a. As pernas dobram- se \u2013lhe<\/u><\/strong>…\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>205<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>O Palma curva-se<\/u><\/strong>…\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>213\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>O frio repassa-o, d\u00f3i-lhe o corpo de andar tanto tempo curvado<\/u><\/strong>.\u00a0\u00a0\u00a0\u00a0 <\/span>215\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Guarda)<\/strong>\u00a0 <\/span>Um deles, curvado<\/u><\/strong>…\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>226\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Palma) Curva-se<\/u><\/span><\/strong> e rompe a cal\u00e7a.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>227\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>Mariana dobra a cabe\u00e7a <\/u><\/span><\/strong>para o peito.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>230\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Palma) <\/span><\/strong>A viol\u00eancia da emo\u00e7\u00e3o verga-lhe <\/u><\/strong>as pernas. Cai de joelhos<\/u><\/strong>…233<\/span><\/p>\n

\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span><\/span>(Palma) <\/span><\/strong>A rajada apanha-o pelo tronco de alto a baixo, curva-o.<\/u><\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 <\/span>244\u00a0\u00a0\u00a0\u00a0 <\/span>*<\/strong><\/span><\/p>\n

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* <\/span>FONSECA, Manuel da. Seara de Vento<\/u>. Lisboa: Editorial Caminho, 1988.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

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\u00a0 CURVAS NA SEARA DE VENTO \u2013 II (Exemplificando…) \u00a0(UFF \u2013 Semin\u00e1rio \u2013 2008) A t\u00edtulo de exemplifica\u00e7\u00e3o, selecionamos passagens da obra de Manuel da Fonseca \u2013 Seara de Vento- nas quais o verbo curvar-se e outros voc\u00e1bulos com significa\u00e7\u00f5es aproximadas ao verbo curvar-se, destacam-se, dando respaldo a nossas coloca\u00e7\u00f5es no texto do mesmo t\u00edtulo, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pmZuW-k8","jetpack-related-posts":[{"id":1239,"url":"http:\/\/www.soniamoura.com.br\/?p=1239","url_meta":{"origin":1248,"position":0},"title":"CURVAS NA SEARA DE VENTO","date":"18 maio 2010","format":false,"excerpt":"\u00a0 CURVAS NA SEARA DE VENTO\u00a0 (Autoria: S\u00f4nia Moura) (UFF \u2013 Semin\u00e1rio \u2013 2008) Em Seara de Vento de Manuel da Fonseca, o verbo curvar-se e seus sin\u00f4nimos se apresentam como met\u00e1foras- s\u00edntese do romance, dando a estas palavras mobilidades significativas capazes de mostrar os m\u00faltiplos aspectos de uma realidade\u2026","rel":"","context":"Em "Ensaios"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2461,"url":"http:\/\/www.soniamoura.com.br\/?p=2461","url_meta":{"origin":1248,"position":1},"title":"D\u00daVIDAS com CERTEZA","date":"13 fevereiro 2017","format":false,"excerpt":"O amor me pegou de jeito N\u00e3o h\u00e1 como recuar Atravesso esta ponte Ou me jogo neste mar? \u00a0 N\u00e3o sei mesmo o que fazer Enfrento esta tempestade Abro cortinas para o sol entrar Ou deixo a vida me levar? \u00a0 Afasto a nuvem pesada Afasto o medo de amar\u2026","rel":"","context":"Em "Livros"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.soniamoura.com.br\/wp-content\/uploads\/2017\/02\/d\u00c3\u00bavida1-1-300x222.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1882,"url":"http:\/\/www.soniamoura.com.br\/?p=1882","url_meta":{"origin":1248,"position":2},"title":"CURVAS DE NIEMEYER","date":"6 dezembro 2012","format":false,"excerpt":"CURVAS DE NIEMEYER Todas as curvas do mundo lembram Niemeyer: as curvas das praias, das estradas e das montanhas do Rio de Janeiro [ali\u00e1s, onde mais ele poderia ter nascido?], as curvas das pra\u00e7as e avenidas do mundo, as curvas de igrejas, de museus, de pal\u00e1cios, de escolas que ele\u2026","rel":"","context":"Em "Mensagens"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":86,"url":"http:\/\/www.soniamoura.com.br\/?p=86","url_meta":{"origin":1248,"position":3},"title":"CURVAS","date":"15 dezembro 2007","format":false,"excerpt":"Niemeyer, 100 anos: solidariedade justifica passeio da vida Todas as curvas do mundo lembram Niemeyer: as curvas das praias, das estradas e das montanhas do Rio de Janeiro [ali\u00e1s, onde mais ele poderia ter nascido?], as curvas das pra\u00e7as e avenidas do mundo, as curvas de igrejas, de museus, de\u2026","rel":"","context":"Post similar","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1223,"url":"http:\/\/www.soniamoura.com.br\/?p=1223","url_meta":{"origin":1248,"position":4},"title":"MULHERES REBOCADAS","date":"2 maio 2010","format":false,"excerpt":"MULHERES REBOCADAS (Autoria: S\u00f4nia Moura)\u00a0 \u00a0 Raptaram\u00a0 a Helena Dizem que ela era um peda\u00e7o! 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